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地平線が好きです。何もない大地に、ただただ地平線のみが広がっている世界に惹かれます。仏教には 涅槃という概念がありますが、涅槃を指す「ニルヴァーナ」というサンスクリット語は、「妨げのない世界」という意味であるという文章を読んだ時、その好きな地平線の世界とシンクロしたことを覚えています。
龍樹(ナーガールジュナ)の書物に書かれている通り、煩悩の世界と涅槃という分けられた世界は存在せず、それらはまったく同一の世界であり、ただ自分の中に「妨げ」があるかないかの問題なのではないかと、ニルヴァーナの語源を元に想像しています。
「妨げのない世界」、または眼前から全てのものを取り払うことで見える世界、それは旧約聖書で「はじめに神は天と地とを創造された」と記された、もっともプリミティブな原風景でしょう。そこに現れるのは、天と地を隔てる1本のボーダーライン(地平線)である、という概念を構築し、自分なりの涅槃のイメージ化を試みました。

I like horizons. I am attracted to a world where there is nothing but the horizon, nothing but the earth. In Buddhism, there is a
concept of nirvana, and I remember synchronizing with that favorite world of the horizon when I read a text that the Sanskrit word "nirvana," which refers to nirvana, means "the world without hindrance.
I imagine, based on the etymology of the word nirvana, that there is no separate world of vexations and nirvana, as described in the book of the Nagarjuna, and that they are exactly the same world, just a matter of whether or not there is "hindrance" within oneself.
The "world without hindrance," or the world that can be seen by removing everything from in front of us, is probably the most primitive original landscape described in the Old Testament when it says, "In the beginning God created the heavens and the earth. I have attempted to create my own image of nirvana by constructing the concept that what appears there is a border line (horizon) that separates heaven and earth. (Translated with DeepL)

empty -即席涅槃- (大地)

empty -instant nirvana- (earth)

Yosuke Komuro

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証明書Certificate of Authenticity
タグボート発行証明書ありExist
サインSignature
あり Yes
EDITION
オリジナルunique piece
制作年Year of Creation
2022年
サイズSize
65x 50 x2cm
作品の状態Condition
良好good
額仕様Frame Specification
なしnothing
額寸Frame Size
x x cm
納品期間Shipping Time
約4週間5-6weeks
特記事項Notices
※額装費は合わせ箱代となります。こちらは「Art Fair GINZA」の会場でも展示・販売している作品です。会場とオンラインでの販売が同時となった場合は、会場の購入を優先させていただく場合がございますのでご了承ください。各会期終了後から約4週間でのお届けとなります。
作品IDItem ID
68533

Profile

2017
ARTBRIDGE FAIR入選作品展 [東京]
TAGBOATアワード入選作品展 [東京]
INDEPENDENT台北アートフェア [台北・台湾]
UNKNOWN ASIA 大阪 2017(リビュワー賞受賞) [大阪]

2018
TAGBOATアワード入選作品展 [東京]
個展「427展」 [東京]
GALLERY ART POINT大賞展 KIZUNA 2018 [東京]
ART FAIR ASIA福岡 [福岡]
UNKNOWN ASIA 大阪 2017(リビュワー賞受賞) [大阪]
Galley fu「gift+The Green Box」展 [横浜]

2019
rooms EXPERIENCE [東京]
London - Kyoto FAPDA Award 2019 [京都]
ART POINT in Paris 2019 [フランス・パリ]
East-West Artists Exchange Exhibition ​in London 2019 [英国・ロンドン]
Independent TOKYO 2019 [東京]
GALLERY ART POINT大賞展 KIZUNA 2019 [東京]
中之島ダイビル10周年記念オブジェ作成 [大阪]
Galley fu「gift+The Green Box」展 [横浜]
アート解放区代官山 [東京]

Profile

Born in Tokyo, 1978, Yosuke started to draw since his early childhood. Influenced by the work of Osamu Tezuka and Akira Toriyama, Yosuke decided to become a manga artist when he was seven (7). At the age 14, his own manga work was well received by a publisher, which made him desire to work with an editor from the publisher, and to professionally publish his work. However, his art teacher gave Yosuke his work book, which inspired him tremendously, and made him interested in drawing materials beyond manga. He started drawing acrylic paintings. His became interested in art in various fields including paintings and designs, which made him decide to learn industrial design, art and graphic design. After studying in the US, he started working for an advertisement production agency as a graphic designer, and then decided to go freelance in 2010. Meanwhile, Yosuke was always a type of child who would prefer to spend his time alone, enjoying sceneries and lights in nature to stay within a crowd. Presently, Yosuke’s areas of interests expanded into various fields, including the universe in cosmic space, the inception of a world itself, physics, natural science, history, and religion. In studying those subjects himself, Yosuke began to acquire his own interpretations on these topics, and developed his desires to express something substantive in the society, in which he was naturally led to use his drawing and creativity as a tool for his expressions.

Having realized that, in pursuing the essence of matter, a truth takes a form of very simple structure, he continues to produce his work by refining various elements to the ultimate minimum, and pursue the simplicity and clarity in his style of expression. Therefore, the characteristics of his work are simple yet while encompassing elements that are concrete and logical. He has a sensitive vision and hearing, dislikes the complexity and noisiness, and prefers a coherent cleanliness and silence, which contribute to his minimalistic work.

Overall, his technique and sensibility were born by growing up in Tokyo, with the influence of Western culture and familiarity with various creations including manga. Also his life in the US and journeys throughout various countries added another layer to his work. However, he is based in Japan, which made him realized that the degree of influence from Eastern culture including the Buddhism that underlies deeply and affinity to sensitivity are inevitable. This hybridization of the East and West is present in his work without doubt.

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