Engaging with the time embedded in washi and mineral pigments, the artist overlays crushed, ultra-thin paper onto a finished painting and incises its surface, fragmenting the underlying image into an irreversible field of perception. Through a slender slit, you can witness the 'true colors'.This act connects to a Japanese visual logic of “seeing through separation,” while revealing the moment when intervention transforms how we see. In a series that envisions the world as flowers beloved in their respective lands, blossoms bloom, fall, and return—cycles that mirror human activity, perceived equally from a vantage beyond the bird’s-eye, at a stellar scale. Painting thus appears not as idealized beauty but as a fragile, distorted structure, continually reinterpreted over time.