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Aira Aira
I DID NOT MAKE THIS /GONE IS FINE I DID NOT MAKE THIS/GONE IS FINE

「I DID NOT MAKE THIS. GONE IS FINE.」
画面中央のこの言葉は、個人的な声明のように読める。
しかし、測定波形と干渉線がそのテキストに重なり、意味の輪郭は安定しない。
制作の否認と消滅への受容という二つの言葉が、誰のものかを決めないまま、中立的に存在している。

消えているのは、言葉の意味だけではない。
制作主体と被測定主体、記憶とデータ、手書きと処理、抵抗と順応など、本来は別のものとして存在していた境界が、この平面では判別しにくくなっている。
何が人間由来で、何が構造由来かを区別できない状態そのものが、本作の問いである。

金属の工業的表面は、測定のインフラとして機能する。
そこに刻まれた傷は、処理が通過した物理的痕跡として光を反射する。

本作が提示するのは、テクノロジーと人間の融合ではない。
融合しているように見えるその状態が、すでに吸収完了後の姿である可能性だ。

「I DID NOT MAKE THIS. GONE IS FINE.」

These words, placed at the center of the work, may first appear as a personal statement.
However, measurement waveforms and interference lines overlap the text, destabilizing the outline of its meaning.
The denial of creation and the acceptance of disappearance exist as two separate statements, remaining neutral without determining whose voice they belong to.

What disappears here is not only the meaning of language itself.
The boundaries between creator and measured subject, memory and data, handwriting and processing, resistance and adaptation?things once understood as distinct?become increasingly difficult to distinguish within this surface.
The central question of this work lies in that very condition: a state in which what originates from the human and what originates from structure can no longer be clearly separated.

The industrial metal surface functions as an infrastructure of measurement.
The engraved marks reflect light as physical traces left behind by the passage of processing.

This work does not present a fusion of technology and humanity.
Rather, it suggests the possibility that the state which appears to be fusion may already be the form that remains after absorption has been completed.

I DID NOT MAKE THIS /GONE IS FINE

I DID NOT MAKE THIS/GONE IS FINE

Aira

作品本体価格Sellng Price(Artwork): ¥ 500,000
箱代/額装費Framing Price: ¥ 7,560
消費税Tax: ¥ 50,756
合計金額(税込)Total(include tax): ¥ 558,316

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More Details

金属に油彩、エングレービング

oil on aluminum panel, incised

証明書Certificate of Authenticity: タグボート発行証明書ありExist
サインSignature: あり Yes
EDITION: オリジナルunique piece
制作年Year of Creation: 2026年
サイズSize: 97.5x 103 x2cm
作品の状態Condition: 良好good
額仕様Frame Specification: カスタムフレームframed
額寸Frame Size: 97.5x 103x 2cm
納品期間Shipping Time: 約3週間3-4weeks
特記事項Notices: ※額装費は箱代となります。 ※「アート解放区人形町」での展示作品となります。会場では5月8日(金)12時から販売を予定しております。会期終了後から記載のお届け期間を頂戴します。
作品IDItem ID: 79525

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Born in Seoul, South Korea.

Recent Projects & Exhibitions
・2026 Group Exhibition, TEN-CHI-JIN(天地人), Kirishima, Kagoshima, Japan
・2025 100+Art Fair, Shenzhen, CHINA
・2024 TAGBOAT ART FAIR, TOKYO PORTCITY TAKESHIBA
・2023 Dutch Auction ART NOW Vol.3・銀座蔦屋 GINZA ATRIUM
Dutch Auction ART NOW Vol.2・銀座蔦屋 GINZA ATRIUM
・2018 Aira solo exhibition「butterfly effect」、@GALLERY TAGBOAT
・2014 – Fragments, Solo Exhibition, Gallery Art Point, Ginza, Tokyo, Japan

Special Exhibition
・2022 Aira X Tsuboyama Sayuri "Nevertheless we __." TAGBOAT Gallery, Hankyu MEN's Tokyo,Yurakucho
・2021 "Light Brain"Vol.1, ITOKI XORK TOKYO
・2021 THE FOCUS AIRA , OVER ALLs STORE, MEGURO, TOKYO
・2021 Art Works HUKUOKA, Whask, Hukuoka
・2021 Art Liberation Zone EATS Nihonbashi, COREDO Muromachi Terrace Seipin Seikatsu Nihonbashi
・2021TAGBOAT ART SHOW x Hankyu MEN'S TOKYO , Hankyu MEN'S TOKYO Yurakucho
・2019 Contemporary Art Salon Autumn, Taipei Collection Trading Center
・2019 "Outlandish Things II" gallery rempahrempha group exhibition, SETAN Shinjuku main gallery
・2019 "conjunction" two-person exhibition, gallery s+arts, Tokyo
・2019 Contemporary Art Salon Spring 2019, Auction Center Taipei, Taipei
・2019 TAGBOAT AWARD 14th, Shun Art gallery, Shanghai, China
・2018 TOKYO ILLUSION: Tokyo Vision of Japanese Contemporary Art, Dali Art Park, Taichung, Taiwan
・2017 Art ZEN Berlin 2017, Berlin, Germany
・2017 The 3rd AKKA Kanazawa Auction of Arts and Crafts, Kanazawa Shinoki Guest House, Kanazawa, Japan

Art Fair

・2025 10/100 Art Fair, Shenzhen, China
・2022 TAGBOAT ART FAIR, TOKYO PORTCITY TAKESHIBA
・2021 TAGBOAT ART FAIR, TOKYO PORTCITY TAKESHIBA
・2020 0101 ART FAIR, Collection Trading Center, TAIPEI
・2019 ART BUSAN 2019, BEXCO Busan,SOUTH KOREA
・2019 2019 BUSAN ANNUAL MARKET OF ART, SOUTH KOREA

Awards

・2014 Wonder Seed, Shibuya TOKAS, Tokyo
・2016 Wonder Seed, Shibuya TOKAS
・2018 Independent TOKYO 2018, Special Jury Prize
・2019 TAGBOAT AWARDS 14th, Semi Grand Prix, Tokyo, Japan
・2020 100 people 10, selected ,Tokyo
・2021 WATOWA ART AWARD, selected ,watowa gallery Tokyo

Website
http://airaism.com/

SNS
https://www.instagram.com/aira_ism

Profile

Aira got influenced by a father who was a manga artist, and growing up in an environment with Japanese cartoons from a young age .

She went to an art college in Seoul and studied oil painting at university, but she took a leave of absence and studied dance while traveling overseas before she realized she had been enrolled at university for 7 years. She came to Japan in 2008 with her Japanese husband and started working on her works since 2012 .
Aira 's work was easy to fit into Japanese culture and blend there comfortably.This is due to the influence of hrs father, since she was touched by Japanese culture, like manga, from a young age.
Compared to Korean art education which emphasizes basic technique, Japan is said to have many artists freely expressing themselves without being bound by frames.Recently, she has been building a single worldview with more uniformity in her works.

She is an artist who can hope for rapid growth in the future aiming to becomes a bridge between Japan and Korea, and it is a good idea to buy her works which are still going for a cheap price.
What do not you think of having the first pieces of an artist with a lot of promise whose works always go well in the interior, no matter where you put them?

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