カートアイコン

EN / JP

曼荼羅 β
= 平行世界の一枚絵 =

物理学の分野では、量子のもつれにより多数の世界が平行的に存在しているという多世界解釈(パラレルワールド論)や、宇宙は多数あるというマルチバース論、この世は11次元で構成されているという仮説を元に展開される超弦理論など、現世界とは違う世界や宇宙、次元が平行的に存在しているという説を多く目にします。

視点を自分自身のいる現実に移してみても、数ある可能性とその後に続く世界は平行的に多数存在しており、それらを選択することで、私たちはいくつもの平行世界を横断しながら生きているわけです。選択を変えること、または解釈を変えることで世界は変わる、逆に考えれば、私たちもまた、解釈や可能性の数だけ平行的に複数存在しているとも言えます。
エントロピーの法則から出ることができない私たちは、過去→現在→未来へという方向でしか進むことができませんが、その時間軸より高次の次元があるとすれば、過去も現在も未来も同じ地平の上に存在しているはずで、実は平行的に存在するすべての世界、宇宙、次元もすべて、一つの一枚絵なのかもしれません。

そのような宇宙観を究極の一枚絵である「曼荼羅」の概念を借りてイメージ化を試みました。

人間が認識できる数字がついた平行世界とともに、知覚できない世界もきっと多く存在しているだろうというロマンが、この作品を光り輝くものにしました。そこは別次元、または別宇宙かもしれませんし、涅槃のような悟りの世界、安らぎの世界かもしれません。それは煩悩と涅槃はまったく同一であるという龍樹(ナーガールジュナ)の言葉が表す通り、すべての平行世界は深層でつながり、一枚絵のように同一のものとして存在しているのでしょう。

= one picture of parallel worlds =

In the field of physics, we have seen many theories about the parallel existence of worlds, universes, and dimensions different from the present world, such as the many-worlds interpretation (parallel world theory), which says that many worlds exist in parallel due to quantum entanglement, the multiverse theory, which says that there are many universes, and the superstring theory, which is based on the hypothesis that this world consists of 11 dimensions. We see many theories that there are worlds, universes, and dimensions that exist in parallel to the present world.

When we look at our own reality, there are many possibilities and subsequent worlds that exist in parallel, and by choosing between them, we live our lives while traversing many parallel worlds. By changing our choices or interpretations, we change the world.
However, if there is a higher dimension than the time axis, then the past, present, and future must exist on the same horizon, and in fact, all parallel worlds, universes, and dimensions may be a single picture. In fact, all parallel worlds, universes, and dimensions may be a single picture.

I tried to visualize such a view of the universe by borrowing the concept of a mandala, the ultimate single picture.

The romance of the idea that there must be many unperceivable worlds as well as parallel worlds with numbers that we can recognize made this work shine brightly. It could be another dimension, another universe, or it could be a world of enlightenment and peace, like nirvana. As the words of the Dragon Tree (Nagarjuna) say that suffering and nirvana are exactly the same, all parallel worlds are connected at a deeper level and exist as one and the same thing, like a picture.
(Translated by DeepL)

MANDALA-Beta (ver.22-2)

MANDALA-Beta (ver.22-2)

Yosuke Komuro

作品本体価格Sellng Price(Artwork)
¥ 86,000
箱代/額装費Framing Price
¥ 4,200
消費税Tax
¥ 9,020
合計金額(税込)Total(include tax)
¥ 99,220

More Details

ホログラム、アクリル絵の具

mixed media

証明書Certificate of Authenticity
タグボート発行証明書ありExist
サインSignature
あり Yes
EDITION
オリジナルunique piece
制作年Year of Creation
2022年
サイズSize
85x 46.5 x3cm
作品の状態Condition
良好good
額仕様Frame Specification
なしnothing
額寸Frame Size
x x cm
納品期間Shipping Time
約4週間4-5weeks
特記事項Notices
※額装費は合わせ箱代となります。
作品IDItem ID
65127

Profile

2017
ARTBRIDGE FAIR入選作品展 [東京]
TAGBOATアワード入選作品展 [東京]
INDEPENDENT台北アートフェア [台北・台湾]
UNKNOWN ASIA 大阪 2017(リビュワー賞受賞) [大阪]

2018
TAGBOATアワード入選作品展 [東京]
個展「427展」 [東京]
GALLERY ART POINT大賞展 KIZUNA 2018 [東京]
ART FAIR ASIA福岡 [福岡]
UNKNOWN ASIA 大阪 2017(リビュワー賞受賞) [大阪]
Galley fu「gift+The Green Box」展 [横浜]

2019
rooms EXPERIENCE [東京]
London - Kyoto FAPDA Award 2019 [京都]
ART POINT in Paris 2019 [フランス・パリ]
East-West Artists Exchange Exhibition ​in London 2019 [英国・ロンドン]
Independent TOKYO 2019 [東京]
GALLERY ART POINT大賞展 KIZUNA 2019 [東京]
中之島ダイビル10周年記念オブジェ作成 [大阪]
Galley fu「gift+The Green Box」展 [横浜]
アート解放区代官山 [東京]

Profile

Born in Tokyo, 1978, Yosuke started to draw since his early childhood. Influenced by the work of Osamu Tezuka and Akira Toriyama, Yosuke decided to become a manga artist when he was seven (7). At the age 14, his own manga work was well received by a publisher, which made him desire to work with an editor from the publisher, and to professionally publish his work. However, his art teacher gave Yosuke his work book, which inspired him tremendously, and made him interested in drawing materials beyond manga. He started drawing acrylic paintings. His became interested in art in various fields including paintings and designs, which made him decide to learn industrial design, art and graphic design. After studying in the US, he started working for an advertisement production agency as a graphic designer, and then decided to go freelance in 2010. Meanwhile, Yosuke was always a type of child who would prefer to spend his time alone, enjoying sceneries and lights in nature to stay within a crowd. Presently, Yosuke’s areas of interests expanded into various fields, including the universe in cosmic space, the inception of a world itself, physics, natural science, history, and religion. In studying those subjects himself, Yosuke began to acquire his own interpretations on these topics, and developed his desires to express something substantive in the society, in which he was naturally led to use his drawing and creativity as a tool for his expressions.

Having realized that, in pursuing the essence of matter, a truth takes a form of very simple structure, he continues to produce his work by refining various elements to the ultimate minimum, and pursue the simplicity and clarity in his style of expression. Therefore, the characteristics of his work are simple yet while encompassing elements that are concrete and logical. He has a sensitive vision and hearing, dislikes the complexity and noisiness, and prefers a coherent cleanliness and silence, which contribute to his minimalistic work.

Overall, his technique and sensibility were born by growing up in Tokyo, with the influence of Western culture and familiarity with various creations including manga. Also his life in the US and journeys throughout various countries added another layer to his work. However, he is based in Japan, which made him realized that the degree of influence from Eastern culture including the Buddhism that underlies deeply and affinity to sensitivity are inevitable. This hybridization of the East and West is present in his work without doubt.

Recommend For You