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【組み変わり続けるパズルの広場(スクエア)で生きる】

一枚絵を小さな正方形に分解し、組み替えることで大きな正方形を再構成する。その作業全体を通して、太古の彼方から現在まで、世界を分解し、組み替えることによって発展してきた人類の営みと、新たに急激な組み変わりが起こりつつある現在の世界をビジュアル的に提示しました。
パズルをいくら組み替えても大きさ自体は変わらないように、発展し、便利になっても私たちの幸せや不幸の総量、またはバランスは変わらないものです。私たちにできるのは、組み変わり続ける過程を受け入れ、新しいパズルでできた広場(スクエア)で生きていくしかありません。例えそれを美しい絵と思えなくとも。

= Living in an ever-changing puzzle square =

By decomposing a single picture into small squares and recombining them, I reconstruct a large square. Through this whole process, I visually presented the human activity that has developed by disassembling and reassembling the world from ancient times to the present, as well as the current world that is undergoing rapid reassembling.
Just as the size of a puzzle does not change no matter how many times it is reassembled, the total amount or balance of our happiness and unhappiness does not change even as we develop and become more convenient. The only thing we can do is to accept the process of continuous reconfiguration and live in a square made of new puzzles. Even if we don't see it as a beautiful picture. (Translated by DeepL)

Square (ver.22-8)

Square (ver.22-8)

Yosuke Komuro

作品本体価格Sellng Price(Artwork)
¥ 70,000
箱代/額装費Framing Price
¥ 1,320
消費税Tax
¥ 7,132
合計金額(税込)Total(include tax)
¥ 78,452

More Details

アクリル板、アクリル絵の具

mixed media

証明書Certificate of Authenticity
タグボート発行証明書ありExist
サインSignature
あり Yes
EDITION
オリジナルunique piece
制作年Year of Creation
2022年
サイズSize
35x 35 x3cm
作品の状態Condition
良好good
額仕様Frame Specification
なしnothing
額寸Frame Size
x x cm
納品期間Shipping Time
約3週間3-4weeks
特記事項Notices
作品IDItem ID
65652

Profile

2017
ARTBRIDGE FAIR入選作品展 [東京]
TAGBOATアワード入選作品展 [東京]
INDEPENDENT台北アートフェア [台北・台湾]
UNKNOWN ASIA 大阪 2017(リビュワー賞受賞) [大阪]

2018
TAGBOATアワード入選作品展 [東京]
個展「427展」 [東京]
GALLERY ART POINT大賞展 KIZUNA 2018 [東京]
ART FAIR ASIA福岡 [福岡]
UNKNOWN ASIA 大阪 2017(リビュワー賞受賞) [大阪]
Galley fu「gift+The Green Box」展 [横浜]

2019
rooms EXPERIENCE [東京]
London - Kyoto FAPDA Award 2019 [京都]
ART POINT in Paris 2019 [フランス・パリ]
East-West Artists Exchange Exhibition ​in London 2019 [英国・ロンドン]
Independent TOKYO 2019 [東京]
GALLERY ART POINT大賞展 KIZUNA 2019 [東京]
中之島ダイビル10周年記念オブジェ作成 [大阪]
Galley fu「gift+The Green Box」展 [横浜]
アート解放区代官山 [東京]

Profile

Born in Tokyo, 1978, Yosuke started to draw since his early childhood. Influenced by the work of Osamu Tezuka and Akira Toriyama, Yosuke decided to become a manga artist when he was seven (7). At the age 14, his own manga work was well received by a publisher, which made him desire to work with an editor from the publisher, and to professionally publish his work. However, his art teacher gave Yosuke his work book, which inspired him tremendously, and made him interested in drawing materials beyond manga. He started drawing acrylic paintings. His became interested in art in various fields including paintings and designs, which made him decide to learn industrial design, art and graphic design. After studying in the US, he started working for an advertisement production agency as a graphic designer, and then decided to go freelance in 2010. Meanwhile, Yosuke was always a type of child who would prefer to spend his time alone, enjoying sceneries and lights in nature to stay within a crowd. Presently, Yosuke’s areas of interests expanded into various fields, including the universe in cosmic space, the inception of a world itself, physics, natural science, history, and religion. In studying those subjects himself, Yosuke began to acquire his own interpretations on these topics, and developed his desires to express something substantive in the society, in which he was naturally led to use his drawing and creativity as a tool for his expressions.

Having realized that, in pursuing the essence of matter, a truth takes a form of very simple structure, he continues to produce his work by refining various elements to the ultimate minimum, and pursue the simplicity and clarity in his style of expression. Therefore, the characteristics of his work are simple yet while encompassing elements that are concrete and logical. He has a sensitive vision and hearing, dislikes the complexity and noisiness, and prefers a coherent cleanliness and silence, which contribute to his minimalistic work.

Overall, his technique and sensibility were born by growing up in Tokyo, with the influence of Western culture and familiarity with various creations including manga. Also his life in the US and journeys throughout various countries added another layer to his work. However, he is based in Japan, which made him realized that the degree of influence from Eastern culture including the Buddhism that underlies deeply and affinity to sensitivity are inevitable. This hybridization of the East and West is present in his work without doubt.

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